Madness and Insanity in Shakespeares Hamlet Essay -- Essays on Shakesp

Hamlet - A Question of Madness Hamlets public persona is a facade he has created to harbor out his ulterior motives. The outside worlds perception of him as being mad is of his give design. Hamlet is deciding what he wants others to think about him. Polonius, a close down confidant of the King, is the leading person responsible for the publics knowledge of Hamlets madness. The idea that Hamlet is mad centers around the fact that he talks to the ghost of his dead father. He communicates with his dead fathers ghost twice, in the presence of his friends and again in the presence of his mother. By being in public when talking to the ghost, the rumor of his madness is prone substance. Polonius decides to go to Hamlets mother, the Queen, in Act II to tell her that her noble son is mad (105). Aware of what has been going on with Hamlet, the Queen questions Polonius. In his response, Polonius continues to proclaim That hes mad, tis true. Tis true, tis pity, / And pity tis tis true - a foolish figure (105). Although not believing it in her heart, the Queen later admits that Hamlet may be mad. After their conversation, Hamlet enters and has his own conversation with Polonius. During this conversation, Hamlet falsely labels Plonius as a fishmonger. Hamlet knows that Polonius will tell others of the mistaken identity specifically, he knows Polonius will report it to the King. Polonius believes Hamlets insanity is cerebrate to sex therefore, he is concerned with Hamlets relationship with his daughter, Ophelia. Hamlets relationship and actions towards Ophelia are not exempt from his dual personalities. In private, he is deeply devoted to her but in public, he humiliates and belittles her... ... are dead at the end of the play. If Hamlet had not chosen to pretend to be mad, the outcome of the events would probably of been different. Hamlets quest of destroying the King is selfish, in that it affects the innocent as well as the guilty. Hamlets false madness fina lly brings about true madness at the end of the play that is inescapable. Works Cited and Consulted http//shakespeare.about.com/depository library/blhamlet_2_2.htm Bloom, Harold. Introduction. Modern Critical Interpretations Hamlet. Ed. Harold Bloom. New York Chelsea House Publishers, 1986. Bradley, A.C.. Shakespearean Tragedy Lectures on Hamlet, Othello, King Lear and Macbeth. New York Penguin Books, 1991. Mack, Maynard. The World of Hamlet. Yale Review. vol. 41 (1952) p. 502-23. Rpt. in Readings on The Tragedies. Ed. Clarice Swisher. San Diego Greenhaven Press, 1996.